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From Masaniello Furioso, Staatsoper Stuttgart:
"In the role of Aloysia Jacquelyn Familant
lent a bright, yet robust soprano to her emotional characterization."
Frankfurter Allgemeine
"The ensemble of young singers suffer no
losses with the tone of Keiser's opera. In particular, Jacquelyn
Familant as Aloysia convinced through tender expression, nuances
and fine phrasing."
Pforzheimer News
"Jacquelyn Familant was one of those rare,
free and unwavering sopranos who soar through glittering sunshine."
Opera News Magazine
"Familant completely convinced in the role
of Aloysia through the youthful ease and natural beauty of her
singing."
Das Opernglas Magazine
"As the coquette Aloysia, Familant also exhibited
vocal virtuosic styling." Musikforum
"Among the Stuttgarter singers (and all achieved
through their very high level of acting) especially delightful
was Jacquelyn Familant's saucy Aloysia." Neue Zuercher
Zeitung
"Jacquelyn Familant profiled between her
husband and suitor gave a richly melodious, but also refreshingly
natural portrayal of Aloysia." Der Neue Merker
From Il Ritorno Ulisse in Patria, Staatsoper Stuttgart:
"As Giunone, Jacquelyn Familant exuded truly
devine melodiousness." Stuttgarter Nachrichten
From W.A. Mozart's Requiem, Figuralchor der Gedaechtniskirche
Stuttgart:
"Familant sang with great power and emotion."
Stuttgarter Nachrichten
From Stars von Morgen, ARTE Film and Television
Network:
"Jacquelyn Familant is one to watch: a radiant
young soprano with a special gift." Opera Forum
From L'Orfeo, Staatsoper Stuttgart:
"...achingly beautiful." Reutlinger
General
"Jacquelyn Familant's clear, shining soprano
made one regret that Euridice has so little to sing."
Opera News Magazine
"Jacquelyn Familant is a vocally wonderful,
gentle and flexible Euridice." Opernwelt Magazine
"…gorgeously sung." Esslinger Zeitung
"...the fine Jacquelyn Familant, in truth,
is worth every battle." Financial Times
"Jacquelyn Familant portrayed a moving Euridice
through her warmly colored soprano."
Das Opernglas Magazine
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